| Titre : |
Trasmissione e recezione delle forme di cultura musicale : Atti del XIV congrèsso della Società Internazionale di Musicologia |
| Type de document : |
TEXTES |
| Auteurs : |
Michel HUGLO ; Ruzena MUZIKOVA ; Tom R. WARD ; John G. SUESS ; Bernd BASELT ; Walter SALMEN ; Wulf ARLT ; John NADAS ; Margaret BENT ; Martin STAEHELIN ; Kurt von FISCHER ; Jaromir CERNY ; Miroslaw PERZ ; Ricardo D. TRIMILLOS ; Tilman SEEBASS ; Harold S. POWERS ; John BLACKING ; Francesco GIANNATTASIO ; Kristine K. FORNEY ; Angelo POMPILIO ; Margaret MURATA ; Paolo FABBRI ; Tim CARTER ; Jane A. BERNSTEIN ; Rudolf RASCH ; Mary S. LEWIS ; Jean-Jacques NATTIEZ ; Hans OESCH ; Gen'ichi TSUGE ; Margaret J. KARTOMI ; Herbert SCHNEIDER ; David BRYANT ; Emilio SALA ; Elizabeth ROCHE ; Peter Anthony BLOOM ; Irena PONIATOWSKA ; Marianne STOELZEL ; Susan M. FILLER ; Marie-Claire LE MOIGNE MUSSAT ; Mario BARONI ; Charles HAMM ; Jan LING ; Jan STESZEWSKI ; Jan MAEGAARD ; Arnold WHITTALL ; Krystyna TARNAWSKA-KAKZOROWSKA ; Reinhold BRINKMANN ; Joseph KERMAN ; Pierluigi PETROBELLI |
| Editeur : |
Torino : E.D.T. |
| Autre Editeur : |
Torino : E.D.T. |
| Importance : |
3 vol. (755 p. , 279 p. , 924 p.) |
| Langues : |
(Al) |
| Résumé : |
congrès collectif |
| Note de contenu : |
Contient : Vol. I. Round Tables 1. La musica nella storia delle università - L'enseignement de la musique dans les universités médiévales / M. Huglo. - Zur Pflege der Ars Musica an der Prager Universität im 14. und 15. Jahrhundert / R. Muzikova. - Music and music theory in the Universities of Central Europe during the Fifteenth Century / T. R. Ward. - The University of Modena, the Accademia dei Dissonanti , and the Academy Cantatas of Giovan Battista Vitali: An Example of Cartesian Rationalism and Music / J. G. Suess. - Zur Stellung der Musik im Schulsystem August Hermann Franckes / B. Baselt. - Der akademische Tanzmeister / W. Salmen. 2. Costituzione e conservazionedei repertorii polifonici nei secoli XVI e XV - répertoirenfragen peripherer Mehrstimmigkeit: das Beispiel des Codex Engelberg 314 / W. Arlt. - Song Collections in Late-Medieval Florence / J. Nà das. - Manuscripts as Répertoires, Scribal Performance and the Performing Scribe / M. Bent. - Mehrstimmige répertoires im 14. und 15. Jahrhundert: das Problem der verloren Quellen / M. Staehelin. - Remarks on Some Trecento and Early Quattrocento Fragments / K, V, Fischer. - Zur Frage der Enstehungs- und Verwandlungsprozesse der mehrstimmigen répertoires in Böhmen / J. Cerny. - Polish Contributions to the Problem of Polyphonic répertoires in the 14th and 15th Centuries / M. Perz. 3. Il rapporto teoria/prassi nelle tradizioni musicali extra-occidentali - Formal Instruction as Interface between Theory and Practice in Traditions of Japan, Hawai'i and the Philippines / R. D. Trimillos. - Theory (English) and Lehre (German) versus Téori (Indonesian) / T. Seebass. - Reinterpretation of Tradition in Hindustani Music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande / H. S. Powers. - Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music / J. Blacking. - Theory or Concepts? Some Questions Raised by a Research on Somali Music / F. Giannattasio. 4. Produzione e distribuzione di musica nella società europea del XVI e XVII secolo - Antwerp's Role in the Reception and Dissemination of the Madrigal in the North / K. K. Forney. - Strategie editoriali delle stamperie veneziane tra il 1570 e il 1630 / A. Pompilio. - Roman Cantata Scores as Traces of Musical Culture and Signs of its Place in Society / M. Murata. - Musica strumentale e politica editoriale: alcune linee di tendenza / P. Fabbri. - The Music Trade in Late Sixteenth-Century Florence / T. Carter. - Girolamo Scotto and the Venetian Music Trade / J. A. Bernstein. - The Livre septième / R. Rasch. - Response: Manuscripts and Printed Music in the World of Patrons and Collectors / M. S. Lewis. 5. La musica come forma di cultura nella tradizione orale - Est-il légitime d'utiliser le concept de 'musique' à propos des cultures de tradition orale ? J.-J. Nattiez. - Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft / H. Oesch. - Problems in Notating Music in Asia / G. Tsuge. - Concepts and Classifications of Instruments and Ensembles in Orally-Transmitting Cultures, with Particular Reference to the Mandailing People / M. J. Kartomi. 6. Forme di volgarizzazione musicale nel XIX secolo e fino alla prima guerra mondiale - Die Popularisierung musikdramatischer Gattungen in der Tanzmusik / H. Schneider. - Un sistema di consumo dell'opera italiana del primo Ottocento: il caso della farsa / D. Bryant. - Que ses gestes parlants ont de grâce et de charmes : motivi melò nella Muette de Portici / E. Sala. - The repertory of the English Choral Society and the Dissemination of New Music, 1875-1914 / E. Roche. - Fétis's La Musique mise à la portée de tout le monde : Impetus and Impact / P. A. Bloom. - Quelques remarques sur la fonctionnalisme de la musique et sue l'idée de correspondance des arts dans la popularisation de la musique au XIXe siècle / I. Poniatowska. - Ferdinand Hillers Operette ohne Text / M. Stoelzel. - Popular Arrangements of the Music of Gustav Mahler / S. M. Filler. 7. Modi d'interpenetrazione tra la musica popolare, pop e colta nel XX secolo - Le syncrétisme aujourd'hui: mode, démagogie ou désesperance? / M.-C. Le Moigne-Mussat. - Musical Education as a Cross-Cultural Problem / M. Baroni. - The Transformation of Folk into Popular Music Through Mass Disseminations / C. Hamm. - Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis? J. Ling. - The Domestication of Exoticism / J. Steszewski. 8. La critica musicale tra analisi tra analisi tecnica ed ermeneutica - Some Remarks on Aesthetic Quality and its Communication / J. Maegaard. - Analysis as Performance / A. Whittall. - Hermeneutics of Musical Composition. Theoretical and Practical Issues / K. Tarnawska-Kaczorowska. - Zur neueren Rezeptionästhetik / R. Brinkmann. - Remarks from the Chair / J. Kerman. Tavola rotonda speciale - La drammaturgia musicale nel XIX secolo - Meyerbeer, Wagner, and the Romeo and Juliet Syndrome / A. L. Ringer. - Disposizioni sceniche oder Gesamtkunstwerk : Wagner, Verdi und die Grosse Oper / S. Wiesmann. - Grand opéra als historisches Drama und als private Tra gödie: Meyerbeers Le prophète und Verdi's Don Carlos / S. Döhring. Vol. II. Study Sessions 2. L'opéra italien du dix-neuvième siècle à travers le presse contemporaine - Verdi in Paris: Reflections in L'Illustration / H. R. Cohen. - I periodici teatrali e musicali italiani a metà Ottocento / M. Conati. - Musik aus italienischen opern in europäischen Musik-Periodica aus der Zeit von 1800 bis 1830 / I. Fellinger. - Italian Opera and the English Press, 1836-56 / L. Langley. - Zur Beurteilung der Italienischen Opern in deutschsprachigen Presse zwischen 1815 und 1825 / C. H. Mahling. - Italian Opera Prélières and Revivals in the Hungarian Press, 1864-1894 / Z. Roman. - Nineteenth-Century Italian Opera as Seen in the Contemporary Russian Press / G. Seaman. 6. Current State and Lacunae of Breitkopf Research - Breitkopf: The Formative Years / G. G. Butler. - Der Breitkopfsche Copialien-Vertrieb im Spiegel des Musik-Quellenbestandes der Sächsischen Landesbibliothek / O. Landmann. - Autorenzweisungen in Breitkopf thematischen Katalogen und ihre Bedetung für die Bach-Forschung / Y. Kobayashi. - The Magnificat Listings in the Various Bibliographic Editions of the Nonthematic Breitkopf catalogues / R. M. Cammarota. - Johann Sebastian Bachs Vokalwerke in den nichtthematischen Katalogen des Hauses Breitkopf aus den Jahren 1761 bis 1836 / J. H. schultze. - Breitkopf's Relations with Leopold and Wolfgang Mozart / N. Zaslaw. - Kirchenkantaten in den Angeboten des Verlagshauses Breitkopf / A. Glöckner. 7. Tradizioni periferiche della monodia liturgica medioevale in Italia - La liturgia e il canto ambrosiano: prospettive di ricerca / G. Cattin. - Testi e melodie per la liturgia della Cappella di Santa Barbara in Mantova / P. Besutti. - Two Unknown Sources of Roman Chant in the Late Middle Ages / M. P. Bezuidenhout. - The Chant of Norman Sicily: Interaction between the Norman and Italian Traditions / D. Hiley. - The Beneventan Chant / T. F. Kelly. - Il rito e il canto della Valle d'Aosta / E. Lagnier. - Primo sondaggio sulle fonti liturgiche della Sardegna / G. Mele. - La tradizione liturgico-musicale di Aquileia / G. Pressacco. - Caratteri peculiari del canto liturgico a Reggio Emilia? / C. Ruini. 8. The Role of Translation in the Transmission and Reception of Musical Culture - The Translation of the Euclidean Division of the Canon into Latin around 500 and 1500 / A. Barbera. - Boethius' De Institutione Musica and the Latin Reception of Greek Musical Theory / C. M. Bower. - Recezione del trattato di Polluce nelle traduzioni dei teorici musicali del Rinascimento / D. Restani. - Two Sixteen-Century Italian Translations of Boethius' De Institutione Musica / C. V. Palisca. - Zarlino' Approach to Counterpoint Modified and Transmitted by Seth Calvisius / B. V. Rivera. - The Transference of Ancient Greek Musicological Treatises from Greek to Latin / J. Solomon. 9. Condizioni materiali e trasmissione del sapere musicale: il caso delle scuole di canto - Condizioni materiali e forme di trasmissione del sapere nelle scuole di canto a Bologna a metà Settecento / S. Durante. - L'enseignement du chant italien en France de la fin de l'Ancien Régime à la Restauration: transmission ou transformation? P. Lescat. - Senza necessità del canto dell'autore : Printed Singing Lessons in Seventeenth-Century Italy / E. Rosand. 10. Melica e musica italiana alla fine del Quattrocento e agli inizi del XVI secolo - La frottola nelle rappresentazioni popolaresche coeve / F. Luisi. - Paris. Bibliothèque Nationale, Rés. Vm7 676 and Music at Mantua / W. F. Prizer. - Soffrir non son disposto ogni tormento . Serafino Aquilano: figura letteraria, fantasma musicologico / G. La Face Bianconi, A. Rossi. 11. History of the Sistine Chapel - Zur Auswertung der Registrerien im Archivio Segreto Vaticano und des Fondo Camerale I im Archivio di Stato di Roma / A. Roth. - The Relationship between a Vatican Copy of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print / R. Sherr. - L'évolution du répetorie de la Chapelle Pontificale au cours du 17ème siècle / J. Lionnet. 12. Cembali, e cembali che fanno il piano e il forte - The Hammered Keyboard Instruments of arnault de zwolle and Michele Todini / K. Restle. - An Early Tangent Piano / S. Pollens. - Early Pianos without Dampers / L. Libin. - Where the Early Italian Pianofortes Strung Entirely with Brass? / A. Huber. - The Piano in Spain prior to 1750 / B. K. de Pascual. - Queen Marìa Barbara's Florentine Keyboard Instruments / J. H. Van Der Meer. - Some Remarks on the Terminology Problem / E. Badura-Skoda, - Once more: Scipione Maffei and the Pianoforte / D. Krickeberg. - Die Hammerflügel Gottfried Silbermanns / M. C. Schmidt. Vol. III. Free Papers 1. T |
| Adresse : |
Torino : EDT, cop. 1990 |
| Permalink : |
https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=2815 |
Trasmissione e recezione delle forme di cultura musicale : Atti del XIV congrèsso della Società Internazionale di Musicologia [TEXTES] / Michel HUGLO ; Ruzena MUZIKOVA ; Tom R. WARD ; John G. SUESS ; Bernd BASELT ; Walter SALMEN ; Wulf ARLT ; John NADAS ; Margaret BENT ; Martin STAEHELIN ; Kurt von FISCHER ; Jaromir CERNY ; Miroslaw PERZ ; Ricardo D. TRIMILLOS ; Tilman SEEBASS ; Harold S. POWERS ; John BLACKING ; Francesco GIANNATTASIO ; Kristine K. FORNEY ; Angelo POMPILIO ; Margaret MURATA ; Paolo FABBRI ; Tim CARTER ; Jane A. BERNSTEIN ; Rudolf RASCH ; Mary S. LEWIS ; Jean-Jacques NATTIEZ ; Hans OESCH ; Gen'ichi TSUGE ; Margaret J. KARTOMI ; Herbert SCHNEIDER ; David BRYANT ; Emilio SALA ; Elizabeth ROCHE ; Peter Anthony BLOOM ; Irena PONIATOWSKA ; Marianne STOELZEL ; Susan M. FILLER ; Marie-Claire LE MOIGNE MUSSAT ; Mario BARONI ; Charles HAMM ; Jan LING ; Jan STESZEWSKI ; Jan MAEGAARD ; Arnold WHITTALL ; Krystyna TARNAWSKA-KAKZOROWSKA ; Reinhold BRINKMANN ; Joseph KERMAN ; Pierluigi PETROBELLI . - Torino : E.D.T. : Torino : E.D.T., [s.d.] . - 3 vol. (755 p. , 279 p. , 924 p.). Langues : ( Al)
| Résumé : |
congrès collectif |
| Note de contenu : |
Contient : Vol. I. Round Tables 1. La musica nella storia delle università - L'enseignement de la musique dans les universités médiévales / M. Huglo. - Zur Pflege der Ars Musica an der Prager Universität im 14. und 15. Jahrhundert / R. Muzikova. - Music and music theory in the Universities of Central Europe during the Fifteenth Century / T. R. Ward. - The University of Modena, the Accademia dei Dissonanti , and the Academy Cantatas of Giovan Battista Vitali: An Example of Cartesian Rationalism and Music / J. G. Suess. - Zur Stellung der Musik im Schulsystem August Hermann Franckes / B. Baselt. - Der akademische Tanzmeister / W. Salmen. 2. Costituzione e conservazionedei repertorii polifonici nei secoli XVI e XV - répertoirenfragen peripherer Mehrstimmigkeit: das Beispiel des Codex Engelberg 314 / W. Arlt. - Song Collections in Late-Medieval Florence / J. Nà das. - Manuscripts as Répertoires, Scribal Performance and the Performing Scribe / M. Bent. - Mehrstimmige répertoires im 14. und 15. Jahrhundert: das Problem der verloren Quellen / M. Staehelin. - Remarks on Some Trecento and Early Quattrocento Fragments / K, V, Fischer. - Zur Frage der Enstehungs- und Verwandlungsprozesse der mehrstimmigen répertoires in Böhmen / J. Cerny. - Polish Contributions to the Problem of Polyphonic répertoires in the 14th and 15th Centuries / M. Perz. 3. Il rapporto teoria/prassi nelle tradizioni musicali extra-occidentali - Formal Instruction as Interface between Theory and Practice in Traditions of Japan, Hawai'i and the Philippines / R. D. Trimillos. - Theory (English) and Lehre (German) versus Téori (Indonesian) / T. Seebass. - Reinterpretation of Tradition in Hindustani Music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande / H. S. Powers. - Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music / J. Blacking. - Theory or Concepts? Some Questions Raised by a Research on Somali Music / F. Giannattasio. 4. Produzione e distribuzione di musica nella società europea del XVI e XVII secolo - Antwerp's Role in the Reception and Dissemination of the Madrigal in the North / K. K. Forney. - Strategie editoriali delle stamperie veneziane tra il 1570 e il 1630 / A. Pompilio. - Roman Cantata Scores as Traces of Musical Culture and Signs of its Place in Society / M. Murata. - Musica strumentale e politica editoriale: alcune linee di tendenza / P. Fabbri. - The Music Trade in Late Sixteenth-Century Florence / T. Carter. - Girolamo Scotto and the Venetian Music Trade / J. A. Bernstein. - The Livre septième / R. Rasch. - Response: Manuscripts and Printed Music in the World of Patrons and Collectors / M. S. Lewis. 5. La musica come forma di cultura nella tradizione orale - Est-il légitime d'utiliser le concept de 'musique' à propos des cultures de tradition orale ? J.-J. Nattiez. - Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft / H. Oesch. - Problems in Notating Music in Asia / G. Tsuge. - Concepts and Classifications of Instruments and Ensembles in Orally-Transmitting Cultures, with Particular Reference to the Mandailing People / M. J. Kartomi. 6. Forme di volgarizzazione musicale nel XIX secolo e fino alla prima guerra mondiale - Die Popularisierung musikdramatischer Gattungen in der Tanzmusik / H. Schneider. - Un sistema di consumo dell'opera italiana del primo Ottocento: il caso della farsa / D. Bryant. - Que ses gestes parlants ont de grâce et de charmes : motivi melò nella Muette de Portici / E. Sala. - The repertory of the English Choral Society and the Dissemination of New Music, 1875-1914 / E. Roche. - Fétis's La Musique mise à la portée de tout le monde : Impetus and Impact / P. A. Bloom. - Quelques remarques sur la fonctionnalisme de la musique et sue l'idée de correspondance des arts dans la popularisation de la musique au XIXe siècle / I. Poniatowska. - Ferdinand Hillers Operette ohne Text / M. Stoelzel. - Popular Arrangements of the Music of Gustav Mahler / S. M. Filler. 7. Modi d'interpenetrazione tra la musica popolare, pop e colta nel XX secolo - Le syncrétisme aujourd'hui: mode, démagogie ou désesperance? / M.-C. Le Moigne-Mussat. - Musical Education as a Cross-Cultural Problem / M. Baroni. - The Transformation of Folk into Popular Music Through Mass Disseminations / C. Hamm. - Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis? J. Ling. - The Domestication of Exoticism / J. Steszewski. 8. La critica musicale tra analisi tra analisi tecnica ed ermeneutica - Some Remarks on Aesthetic Quality and its Communication / J. Maegaard. - Analysis as Performance / A. Whittall. - Hermeneutics of Musical Composition. Theoretical and Practical Issues / K. Tarnawska-Kaczorowska. - Zur neueren Rezeptionästhetik / R. Brinkmann. - Remarks from the Chair / J. Kerman. Tavola rotonda speciale - La drammaturgia musicale nel XIX secolo - Meyerbeer, Wagner, and the Romeo and Juliet Syndrome / A. L. Ringer. - Disposizioni sceniche oder Gesamtkunstwerk : Wagner, Verdi und die Grosse Oper / S. Wiesmann. - Grand opéra als historisches Drama und als private Tra gödie: Meyerbeers Le prophète und Verdi's Don Carlos / S. Döhring. Vol. II. Study Sessions 2. L'opéra italien du dix-neuvième siècle à travers le presse contemporaine - Verdi in Paris: Reflections in L'Illustration / H. R. Cohen. - I periodici teatrali e musicali italiani a metà Ottocento / M. Conati. - Musik aus italienischen opern in europäischen Musik-Periodica aus der Zeit von 1800 bis 1830 / I. Fellinger. - Italian Opera and the English Press, 1836-56 / L. Langley. - Zur Beurteilung der Italienischen Opern in deutschsprachigen Presse zwischen 1815 und 1825 / C. H. Mahling. - Italian Opera Prélières and Revivals in the Hungarian Press, 1864-1894 / Z. Roman. - Nineteenth-Century Italian Opera as Seen in the Contemporary Russian Press / G. Seaman. 6. Current State and Lacunae of Breitkopf Research - Breitkopf: The Formative Years / G. G. Butler. - Der Breitkopfsche Copialien-Vertrieb im Spiegel des Musik-Quellenbestandes der Sächsischen Landesbibliothek / O. Landmann. - Autorenzweisungen in Breitkopf thematischen Katalogen und ihre Bedetung für die Bach-Forschung / Y. Kobayashi. - The Magnificat Listings in the Various Bibliographic Editions of the Nonthematic Breitkopf catalogues / R. M. Cammarota. - Johann Sebastian Bachs Vokalwerke in den nichtthematischen Katalogen des Hauses Breitkopf aus den Jahren 1761 bis 1836 / J. H. schultze. - Breitkopf's Relations with Leopold and Wolfgang Mozart / N. Zaslaw. - Kirchenkantaten in den Angeboten des Verlagshauses Breitkopf / A. Glöckner. 7. Tradizioni periferiche della monodia liturgica medioevale in Italia - La liturgia e il canto ambrosiano: prospettive di ricerca / G. Cattin. - Testi e melodie per la liturgia della Cappella di Santa Barbara in Mantova / P. Besutti. - Two Unknown Sources of Roman Chant in the Late Middle Ages / M. P. Bezuidenhout. - The Chant of Norman Sicily: Interaction between the Norman and Italian Traditions / D. Hiley. - The Beneventan Chant / T. F. Kelly. - Il rito e il canto della Valle d'Aosta / E. Lagnier. - Primo sondaggio sulle fonti liturgiche della Sardegna / G. Mele. - La tradizione liturgico-musicale di Aquileia / G. Pressacco. - Caratteri peculiari del canto liturgico a Reggio Emilia? / C. Ruini. 8. The Role of Translation in the Transmission and Reception of Musical Culture - The Translation of the Euclidean Division of the Canon into Latin around 500 and 1500 / A. Barbera. - Boethius' De Institutione Musica and the Latin Reception of Greek Musical Theory / C. M. Bower. - Recezione del trattato di Polluce nelle traduzioni dei teorici musicali del Rinascimento / D. Restani. - Two Sixteen-Century Italian Translations of Boethius' De Institutione Musica / C. V. Palisca. - Zarlino' Approach to Counterpoint Modified and Transmitted by Seth Calvisius / B. V. Rivera. - The Transference of Ancient Greek Musicological Treatises from Greek to Latin / J. Solomon. 9. Condizioni materiali e trasmissione del sapere musicale: il caso delle scuole di canto - Condizioni materiali e forme di trasmissione del sapere nelle scuole di canto a Bologna a metà Settecento / S. Durante. - L'enseignement du chant italien en France de la fin de l'Ancien Régime à la Restauration: transmission ou transformation? P. Lescat. - Senza necessità del canto dell'autore : Printed Singing Lessons in Seventeenth-Century Italy / E. Rosand. 10. Melica e musica italiana alla fine del Quattrocento e agli inizi del XVI secolo - La frottola nelle rappresentazioni popolaresche coeve / F. Luisi. - Paris. Bibliothèque Nationale, Rés. Vm7 676 and Music at Mantua / W. F. Prizer. - Soffrir non son disposto ogni tormento . Serafino Aquilano: figura letteraria, fantasma musicologico / G. La Face Bianconi, A. Rossi. 11. History of the Sistine Chapel - Zur Auswertung der Registrerien im Archivio Segreto Vaticano und des Fondo Camerale I im Archivio di Stato di Roma / A. Roth. - The Relationship between a Vatican Copy of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print / R. Sherr. - L'évolution du répetorie de la Chapelle Pontificale au cours du 17ème siècle / J. Lionnet. 12. Cembali, e cembali che fanno il piano e il forte - The Hammered Keyboard Instruments of arnault de zwolle and Michele Todini / K. Restle. - An Early Tangent Piano / S. Pollens. - Early Pianos without Dampers / L. Libin. - Where the Early Italian Pianofortes Strung Entirely with Brass? / A. Huber. - The Piano in Spain prior to 1750 / B. K. de Pascual. - Queen Marìa Barbara's Florentine Keyboard Instruments / J. H. Van Der Meer. - Some Remarks on the Terminology Problem / E. Badura-Skoda, - Once more: Scipione Maffei and the Pianoforte / D. Krickeberg. - Die Hammerflügel Gottfried Silbermanns / M. C. Schmidt. Vol. III. Free Papers 1. T |
| Adresse : |
Torino : EDT, cop. 1990 |
| Permalink : |
https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=2815 |
|  |
Affiner la rechercheMusiques : une encyclopédie pour le XXIe siècle. 4 : Histoire des musiques européennes / Jean-Jacques NATTIEZ
