Catalogue de la bibliothèque du Centre de musique baroque de Versailles
Détail de l'auteur
Auteur Margaret MURATA |
Documents disponibles écrits par cet auteur (4)
Affiner la recherche
La musica e il mondo : mecenatismo e committenza musicale in Italia tra Quatro e Settecento / Claudio ANNIBALDI
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 1757 JL 18 ANN papier Bibliothèque du CMBV Consultable sur place Consultable sur place
DisponibleTrasmissione e recezione delle forme di cultura musicale : Atti del XIV congrèsso della Società Internazionale di Musicologia / Michel HUGLO
Titre : Trasmissione e recezione delle forme di cultura musicale : Atti del XIV congrèsso della Società Internazionale di Musicologia Type de document : TEXTES Auteurs : Michel HUGLO ; Ruzena MUZIKOVA ; Tom R. WARD ; John G. SUESS ; Bernd BASELT ; Walter SALMEN ; Wulf ARLT ; John NADAS ; Margaret BENT ; Martin STAEHELIN ; Kurt von FISCHER ; Jaromir CERNY ; Miroslaw PERZ ; Ricardo D. TRIMILLOS ; Tilman SEEBASS ; Harold S. POWERS ; John BLACKING ; Francesco GIANNATTASIO ; Kristine K. FORNEY ; Angelo POMPILIO ; Margaret MURATA ; Paolo FABBRI ; Tim CARTER ; Jane A. BERNSTEIN ; Rudolf RASCH ; Mary S. LEWIS ; Jean-Jacques NATTIEZ ; Hans OESCH ; Gen'ichi TSUGE ; Margaret J. KARTOMI ; Herbert SCHNEIDER ; David BRYANT ; Emilio SALA ; Elizabeth ROCHE ; Peter Anthony BLOOM ; Irena PONIATOWSKA ; Marianne STOELZEL ; Susan M. FILLER ; Marie-Claire LE MOIGNE MUSSAT ; Mario BARONI ; Charles HAMM ; Jan LING ; Jan STESZEWSKI ; Jan MAEGAARD ; Arnold WHITTALL ; Krystyna TARNAWSKA-KAKZOROWSKA ; Reinhold BRINKMANN ; Joseph KERMAN ; Pierluigi PETROBELLI Editeur : Torino : E.D.T. Autre Editeur : Torino : E.D.T. Importance : 3 vol. (755 p. , 279 p. , 924 p.) Langues : (Al) Résumé : congrès collectif Note de contenu : Contient : Vol. I. Round Tables 1. La musica nella storia delle università - L'enseignement de la musique dans les universités médiévales / M. Huglo. - Zur Pflege der Ars Musica an der Prager Universität im 14. und 15. Jahrhundert / R. Muzikova. - Music and music theory in the Universities of Central Europe during the Fifteenth Century / T. R. Ward. - The University of Modena, the Accademia dei Dissonanti , and the Academy Cantatas of Giovan Battista Vitali: An Example of Cartesian Rationalism and Music / J. G. Suess. - Zur Stellung der Musik im Schulsystem August Hermann Franckes / B. Baselt. - Der akademische Tanzmeister / W. Salmen. 2. Costituzione e conservazionedei repertorii polifonici nei secoli XVI e XV - répertoirenfragen peripherer Mehrstimmigkeit: das Beispiel des Codex Engelberg 314 / W. Arlt. - Song Collections in Late-Medieval Florence / J. Nà das. - Manuscripts as Répertoires, Scribal Performance and the Performing Scribe / M. Bent. - Mehrstimmige répertoires im 14. und 15. Jahrhundert: das Problem der verloren Quellen / M. Staehelin. - Remarks on Some Trecento and Early Quattrocento Fragments / K, V, Fischer. - Zur Frage der Enstehungs- und Verwandlungsprozesse der mehrstimmigen répertoires in Böhmen / J. Cerny. - Polish Contributions to the Problem of Polyphonic répertoires in the 14th and 15th Centuries / M. Perz. 3. Il rapporto teoria/prassi nelle tradizioni musicali extra-occidentali - Formal Instruction as Interface between Theory and Practice in Traditions of Japan, Hawai'i and the Philippines / R. D. Trimillos. - Theory (English) and Lehre (German) versus Téori (Indonesian) / T. Seebass. - Reinterpretation of Tradition in Hindustani Music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande / H. S. Powers. - Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music / J. Blacking. - Theory or Concepts? Some Questions Raised by a Research on Somali Music / F. Giannattasio. 4. Produzione e distribuzione di musica nella società europea del XVI e XVII secolo - Antwerp's Role in the Reception and Dissemination of the Madrigal in the North / K. K. Forney. - Strategie editoriali delle stamperie veneziane tra il 1570 e il 1630 / A. Pompilio. - Roman Cantata Scores as Traces of Musical Culture and Signs of its Place in Society / M. Murata. - Musica strumentale e politica editoriale: alcune linee di tendenza / P. Fabbri. - The Music Trade in Late Sixteenth-Century Florence / T. Carter. - Girolamo Scotto and the Venetian Music Trade / J. A. Bernstein. - The Livre septième / R. Rasch. - Response: Manuscripts and Printed Music in the World of Patrons and Collectors / M. S. Lewis. 5. La musica come forma di cultura nella tradizione orale - Est-il légitime d'utiliser le concept de 'musique' à propos des cultures de tradition orale ? J.-J. Nattiez. - Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft / H. Oesch. - Problems in Notating Music in Asia / G. Tsuge. - Concepts and Classifications of Instruments and Ensembles in Orally-Transmitting Cultures, with Particular Reference to the Mandailing People / M. J. Kartomi. 6. Forme di volgarizzazione musicale nel XIX secolo e fino alla prima guerra mondiale - Die Popularisierung musikdramatischer Gattungen in der Tanzmusik / H. Schneider. - Un sistema di consumo dell'opera italiana del primo Ottocento: il caso della farsa / D. Bryant. - Que ses gestes parlants ont de grâce et de charmes : motivi melò nella Muette de Portici / E. Sala. - The repertory of the English Choral Society and the Dissemination of New Music, 1875-1914 / E. Roche. - Fétis's La Musique mise à la portée de tout le monde : Impetus and Impact / P. A. Bloom. - Quelques remarques sur la fonctionnalisme de la musique et sue l'idée de correspondance des arts dans la popularisation de la musique au XIXe siècle / I. Poniatowska. - Ferdinand Hillers Operette ohne Text / M. Stoelzel. - Popular Arrangements of the Music of Gustav Mahler / S. M. Filler. 7. Modi d'interpenetrazione tra la musica popolare, pop e colta nel XX secolo - Le syncrétisme aujourd'hui: mode, démagogie ou désesperance? / M.-C. Le Moigne-Mussat. - Musical Education as a Cross-Cultural Problem / M. Baroni. - The Transformation of Folk into Popular Music Through Mass Disseminations / C. Hamm. - Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis? J. Ling. - The Domestication of Exoticism / J. Steszewski. 8. La critica musicale tra analisi tra analisi tecnica ed ermeneutica - Some Remarks on Aesthetic Quality and its Communication / J. Maegaard. - Analysis as Performance / A. Whittall. - Hermeneutics of Musical Composition. Theoretical and Practical Issues / K. Tarnawska-Kaczorowska. - Zur neueren Rezeptionästhetik / R. Brinkmann. - Remarks from the Chair / J. Kerman. Tavola rotonda speciale - La drammaturgia musicale nel XIX secolo - Meyerbeer, Wagner, and the Romeo and Juliet Syndrome / A. L. Ringer. - Disposizioni sceniche oder Gesamtkunstwerk : Wagner, Verdi und die Grosse Oper / S. Wiesmann. - Grand opéra als historisches Drama und als private Tra gödie: Meyerbeers Le prophète und Verdi's Don Carlos / S. Döhring. Vol. II. Study Sessions 2. L'opéra italien du dix-neuvième siècle à travers le presse contemporaine - Verdi in Paris: Reflections in L'Illustration / H. R. Cohen. - I periodici teatrali e musicali italiani a metà Ottocento / M. Conati. - Musik aus italienischen opern in europäischen Musik-Periodica aus der Zeit von 1800 bis 1830 / I. Fellinger. - Italian Opera and the English Press, 1836-56 / L. Langley. - Zur Beurteilung der Italienischen Opern in deutschsprachigen Presse zwischen 1815 und 1825 / C. H. Mahling. - Italian Opera Prélières and Revivals in the Hungarian Press, 1864-1894 / Z. Roman. - Nineteenth-Century Italian Opera as Seen in the Contemporary Russian Press / G. Seaman. 6. Current State and Lacunae of Breitkopf Research - Breitkopf: The Formative Years / G. G. Butler. - Der Breitkopfsche Copialien-Vertrieb im Spiegel des Musik-Quellenbestandes der Sächsischen Landesbibliothek / O. Landmann. - Autorenzweisungen in Breitkopf thematischen Katalogen und ihre Bedetung für die Bach-Forschung / Y. Kobayashi. - The Magnificat Listings in the Various Bibliographic Editions of the Nonthematic Breitkopf catalogues / R. M. Cammarota. - Johann Sebastian Bachs Vokalwerke in den nichtthematischen Katalogen des Hauses Breitkopf aus den Jahren 1761 bis 1836 / J. H. schultze. - Breitkopf's Relations with Leopold and Wolfgang Mozart / N. Zaslaw. - Kirchenkantaten in den Angeboten des Verlagshauses Breitkopf / A. Glöckner. 7. Tradizioni periferiche della monodia liturgica medioevale in Italia - La liturgia e il canto ambrosiano: prospettive di ricerca / G. Cattin. - Testi e melodie per la liturgia della Cappella di Santa Barbara in Mantova / P. Besutti. - Two Unknown Sources of Roman Chant in the Late Middle Ages / M. P. Bezuidenhout. - The Chant of Norman Sicily: Interaction between the Norman and Italian Traditions / D. Hiley. - The Beneventan Chant / T. F. Kelly. - Il rito e il canto della Valle d'Aosta / E. Lagnier. - Primo sondaggio sulle fonti liturgiche della Sardegna / G. Mele. - La tradizione liturgico-musicale di Aquileia / G. Pressacco. - Caratteri peculiari del canto liturgico a Reggio Emilia? / C. Ruini. 8. The Role of Translation in the Transmission and Reception of Musical Culture - The Translation of the Euclidean Division of the Canon into Latin around 500 and 1500 / A. Barbera. - Boethius' De Institutione Musica and the Latin Reception of Greek Musical Theory / C. M. Bower. - Recezione del trattato di Polluce nelle traduzioni dei teorici musicali del Rinascimento / D. Restani. - Two Sixteen-Century Italian Translations of Boethius' De Institutione Musica / C. V. Palisca. - Zarlino' Approach to Counterpoint Modified and Transmitted by Seth Calvisius / B. V. Rivera. - The Transference of Ancient Greek Musicological Treatises from Greek to Latin / J. Solomon. 9. Condizioni materiali e trasmissione del sapere musicale: il caso delle scuole di canto - Condizioni materiali e forme di trasmissione del sapere nelle scuole di canto a Bologna a metà Settecento / S. Durante. - L'enseignement du chant italien en France de la fin de l'Ancien Régime à la Restauration: transmission ou transformation? P. Lescat. - Senza necessità del canto dell'autore : Printed Singing Lessons in Seventeenth-Century Italy / E. Rosand. 10. Melica e musica italiana alla fine del Quattrocento e agli inizi del XVI secolo - La frottola nelle rappresentazioni popolaresche coeve / F. Luisi. - Paris. Bibliothèque Nationale, Rés. Vm7 676 and Music at Mantua / W. F. Prizer. - Soffrir non son disposto ogni tormento . Serafino Aquilano: figura letteraria, fantasma musicologico / G. La Face Bianconi, A. Rossi. 11. History of the Sistine Chapel - Zur Auswertung der Registrerien im Archivio Segreto Vaticano und des Fondo Camerale I im Archivio di Stato di Roma / A. Roth. - The Relationship between a Vatican Copy of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print / R. Sherr. - L'évolution du répetorie de la Chapelle Pontificale au cours du 17ème siècle / J. Lionnet. 12. Cembali, e cembali che fanno il piano e il forte - The Hammered Keyboard Instruments of arnault de zwolle and Michele Todini / K. Restle. - An Early Tangent Piano / S. Pollens. - Early Pianos without Dampers / L. Libin. - Where the Early Italian Pianofortes Strung Entirely with Brass? / A. Huber. - The Piano in Spain prior to 1750 / B. K. de Pascual. - Queen Marìa Barbara's Florentine Keyboard Instruments / J. H. Van Der Meer. - Some Remarks on the Terminology Problem / E. Badura-Skoda, - Once more: Scipione Maffei and the Pianoforte / D. Krickeberg. - Die Hammerflügel Gottfried Silbermanns / M. C. Schmidt. Vol. III. Free Papers 1. T Adresse : Torino : EDT, cop. 1990 Permalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=2815 Trasmissione e recezione delle forme di cultura musicale : Atti del XIV congrèsso della Società Internazionale di Musicologia [TEXTES] / Michel HUGLO ; Ruzena MUZIKOVA ; Tom R. WARD ; John G. SUESS ; Bernd BASELT ; Walter SALMEN ; Wulf ARLT ; John NADAS ; Margaret BENT ; Martin STAEHELIN ; Kurt von FISCHER ; Jaromir CERNY ; Miroslaw PERZ ; Ricardo D. TRIMILLOS ; Tilman SEEBASS ; Harold S. POWERS ; John BLACKING ; Francesco GIANNATTASIO ; Kristine K. FORNEY ; Angelo POMPILIO ; Margaret MURATA ; Paolo FABBRI ; Tim CARTER ; Jane A. BERNSTEIN ; Rudolf RASCH ; Mary S. LEWIS ; Jean-Jacques NATTIEZ ; Hans OESCH ; Gen'ichi TSUGE ; Margaret J. KARTOMI ; Herbert SCHNEIDER ; David BRYANT ; Emilio SALA ; Elizabeth ROCHE ; Peter Anthony BLOOM ; Irena PONIATOWSKA ; Marianne STOELZEL ; Susan M. FILLER ; Marie-Claire LE MOIGNE MUSSAT ; Mario BARONI ; Charles HAMM ; Jan LING ; Jan STESZEWSKI ; Jan MAEGAARD ; Arnold WHITTALL ; Krystyna TARNAWSKA-KAKZOROWSKA ; Reinhold BRINKMANN ; Joseph KERMAN ; Pierluigi PETROBELLI . - Torino : E.D.T. : Torino : E.D.T., [s.d.] . - 3 vol. (755 p. , 279 p. , 924 p.).
Langues : (Al)
Résumé : congrès collectif Note de contenu : Contient : Vol. I. Round Tables 1. La musica nella storia delle università - L'enseignement de la musique dans les universités médiévales / M. Huglo. - Zur Pflege der Ars Musica an der Prager Universität im 14. und 15. Jahrhundert / R. Muzikova. - Music and music theory in the Universities of Central Europe during the Fifteenth Century / T. R. Ward. - The University of Modena, the Accademia dei Dissonanti , and the Academy Cantatas of Giovan Battista Vitali: An Example of Cartesian Rationalism and Music / J. G. Suess. - Zur Stellung der Musik im Schulsystem August Hermann Franckes / B. Baselt. - Der akademische Tanzmeister / W. Salmen. 2. Costituzione e conservazionedei repertorii polifonici nei secoli XVI e XV - répertoirenfragen peripherer Mehrstimmigkeit: das Beispiel des Codex Engelberg 314 / W. Arlt. - Song Collections in Late-Medieval Florence / J. Nà das. - Manuscripts as Répertoires, Scribal Performance and the Performing Scribe / M. Bent. - Mehrstimmige répertoires im 14. und 15. Jahrhundert: das Problem der verloren Quellen / M. Staehelin. - Remarks on Some Trecento and Early Quattrocento Fragments / K, V, Fischer. - Zur Frage der Enstehungs- und Verwandlungsprozesse der mehrstimmigen répertoires in Böhmen / J. Cerny. - Polish Contributions to the Problem of Polyphonic répertoires in the 14th and 15th Centuries / M. Perz. 3. Il rapporto teoria/prassi nelle tradizioni musicali extra-occidentali - Formal Instruction as Interface between Theory and Practice in Traditions of Japan, Hawai'i and the Philippines / R. D. Trimillos. - Theory (English) and Lehre (German) versus Téori (Indonesian) / T. Seebass. - Reinterpretation of Tradition in Hindustani Music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande / H. S. Powers. - Performance as a Way of Knowing: Practical Theory and the Theory of Practice in Venda Traditional Music / J. Blacking. - Theory or Concepts? Some Questions Raised by a Research on Somali Music / F. Giannattasio. 4. Produzione e distribuzione di musica nella società europea del XVI e XVII secolo - Antwerp's Role in the Reception and Dissemination of the Madrigal in the North / K. K. Forney. - Strategie editoriali delle stamperie veneziane tra il 1570 e il 1630 / A. Pompilio. - Roman Cantata Scores as Traces of Musical Culture and Signs of its Place in Society / M. Murata. - Musica strumentale e politica editoriale: alcune linee di tendenza / P. Fabbri. - The Music Trade in Late Sixteenth-Century Florence / T. Carter. - Girolamo Scotto and the Venetian Music Trade / J. A. Bernstein. - The Livre septième / R. Rasch. - Response: Manuscripts and Printed Music in the World of Patrons and Collectors / M. S. Lewis. 5. La musica come forma di cultura nella tradizione orale - Est-il légitime d'utiliser le concept de 'musique' à propos des cultures de tradition orale ? J.-J. Nattiez. - Die Senoi auf Malakka: Stabilität oraler Tradition in einer animistischen Gesellschaft / H. Oesch. - Problems in Notating Music in Asia / G. Tsuge. - Concepts and Classifications of Instruments and Ensembles in Orally-Transmitting Cultures, with Particular Reference to the Mandailing People / M. J. Kartomi. 6. Forme di volgarizzazione musicale nel XIX secolo e fino alla prima guerra mondiale - Die Popularisierung musikdramatischer Gattungen in der Tanzmusik / H. Schneider. - Un sistema di consumo dell'opera italiana del primo Ottocento: il caso della farsa / D. Bryant. - Que ses gestes parlants ont de grâce et de charmes : motivi melò nella Muette de Portici / E. Sala. - The repertory of the English Choral Society and the Dissemination of New Music, 1875-1914 / E. Roche. - Fétis's La Musique mise à la portée de tout le monde : Impetus and Impact / P. A. Bloom. - Quelques remarques sur la fonctionnalisme de la musique et sue l'idée de correspondance des arts dans la popularisation de la musique au XIXe siècle / I. Poniatowska. - Ferdinand Hillers Operette ohne Text / M. Stoelzel. - Popular Arrangements of the Music of Gustav Mahler / S. M. Filler. 7. Modi d'interpenetrazione tra la musica popolare, pop e colta nel XX secolo - Le syncrétisme aujourd'hui: mode, démagogie ou désesperance? / M.-C. Le Moigne-Mussat. - Musical Education as a Cross-Cultural Problem / M. Baroni. - The Transformation of Folk into Popular Music Through Mass Disseminations / C. Hamm. - Art Music, Folk Music and Popular Music: Ideological Equivalences to Musica Mundana, Humana and Instrumentalis? J. Ling. - The Domestication of Exoticism / J. Steszewski. 8. La critica musicale tra analisi tra analisi tecnica ed ermeneutica - Some Remarks on Aesthetic Quality and its Communication / J. Maegaard. - Analysis as Performance / A. Whittall. - Hermeneutics of Musical Composition. Theoretical and Practical Issues / K. Tarnawska-Kaczorowska. - Zur neueren Rezeptionästhetik / R. Brinkmann. - Remarks from the Chair / J. Kerman. Tavola rotonda speciale - La drammaturgia musicale nel XIX secolo - Meyerbeer, Wagner, and the Romeo and Juliet Syndrome / A. L. Ringer. - Disposizioni sceniche oder Gesamtkunstwerk : Wagner, Verdi und die Grosse Oper / S. Wiesmann. - Grand opéra als historisches Drama und als private Tra gödie: Meyerbeers Le prophète und Verdi's Don Carlos / S. Döhring. Vol. II. Study Sessions 2. L'opéra italien du dix-neuvième siècle à travers le presse contemporaine - Verdi in Paris: Reflections in L'Illustration / H. R. Cohen. - I periodici teatrali e musicali italiani a metà Ottocento / M. Conati. - Musik aus italienischen opern in europäischen Musik-Periodica aus der Zeit von 1800 bis 1830 / I. Fellinger. - Italian Opera and the English Press, 1836-56 / L. Langley. - Zur Beurteilung der Italienischen Opern in deutschsprachigen Presse zwischen 1815 und 1825 / C. H. Mahling. - Italian Opera Prélières and Revivals in the Hungarian Press, 1864-1894 / Z. Roman. - Nineteenth-Century Italian Opera as Seen in the Contemporary Russian Press / G. Seaman. 6. Current State and Lacunae of Breitkopf Research - Breitkopf: The Formative Years / G. G. Butler. - Der Breitkopfsche Copialien-Vertrieb im Spiegel des Musik-Quellenbestandes der Sächsischen Landesbibliothek / O. Landmann. - Autorenzweisungen in Breitkopf thematischen Katalogen und ihre Bedetung für die Bach-Forschung / Y. Kobayashi. - The Magnificat Listings in the Various Bibliographic Editions of the Nonthematic Breitkopf catalogues / R. M. Cammarota. - Johann Sebastian Bachs Vokalwerke in den nichtthematischen Katalogen des Hauses Breitkopf aus den Jahren 1761 bis 1836 / J. H. schultze. - Breitkopf's Relations with Leopold and Wolfgang Mozart / N. Zaslaw. - Kirchenkantaten in den Angeboten des Verlagshauses Breitkopf / A. Glöckner. 7. Tradizioni periferiche della monodia liturgica medioevale in Italia - La liturgia e il canto ambrosiano: prospettive di ricerca / G. Cattin. - Testi e melodie per la liturgia della Cappella di Santa Barbara in Mantova / P. Besutti. - Two Unknown Sources of Roman Chant in the Late Middle Ages / M. P. Bezuidenhout. - The Chant of Norman Sicily: Interaction between the Norman and Italian Traditions / D. Hiley. - The Beneventan Chant / T. F. Kelly. - Il rito e il canto della Valle d'Aosta / E. Lagnier. - Primo sondaggio sulle fonti liturgiche della Sardegna / G. Mele. - La tradizione liturgico-musicale di Aquileia / G. Pressacco. - Caratteri peculiari del canto liturgico a Reggio Emilia? / C. Ruini. 8. The Role of Translation in the Transmission and Reception of Musical Culture - The Translation of the Euclidean Division of the Canon into Latin around 500 and 1500 / A. Barbera. - Boethius' De Institutione Musica and the Latin Reception of Greek Musical Theory / C. M. Bower. - Recezione del trattato di Polluce nelle traduzioni dei teorici musicali del Rinascimento / D. Restani. - Two Sixteen-Century Italian Translations of Boethius' De Institutione Musica / C. V. Palisca. - Zarlino' Approach to Counterpoint Modified and Transmitted by Seth Calvisius / B. V. Rivera. - The Transference of Ancient Greek Musicological Treatises from Greek to Latin / J. Solomon. 9. Condizioni materiali e trasmissione del sapere musicale: il caso delle scuole di canto - Condizioni materiali e forme di trasmissione del sapere nelle scuole di canto a Bologna a metà Settecento / S. Durante. - L'enseignement du chant italien en France de la fin de l'Ancien Régime à la Restauration: transmission ou transformation? P. Lescat. - Senza necessità del canto dell'autore : Printed Singing Lessons in Seventeenth-Century Italy / E. Rosand. 10. Melica e musica italiana alla fine del Quattrocento e agli inizi del XVI secolo - La frottola nelle rappresentazioni popolaresche coeve / F. Luisi. - Paris. Bibliothèque Nationale, Rés. Vm7 676 and Music at Mantua / W. F. Prizer. - Soffrir non son disposto ogni tormento . Serafino Aquilano: figura letteraria, fantasma musicologico / G. La Face Bianconi, A. Rossi. 11. History of the Sistine Chapel - Zur Auswertung der Registrerien im Archivio Segreto Vaticano und des Fondo Camerale I im Archivio di Stato di Roma / A. Roth. - The Relationship between a Vatican Copy of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print / R. Sherr. - L'évolution du répetorie de la Chapelle Pontificale au cours du 17ème siècle / J. Lionnet. 12. Cembali, e cembali che fanno il piano e il forte - The Hammered Keyboard Instruments of arnault de zwolle and Michele Todini / K. Restle. - An Early Tangent Piano / S. Pollens. - Early Pianos without Dampers / L. Libin. - Where the Early Italian Pianofortes Strung Entirely with Brass? / A. Huber. - The Piano in Spain prior to 1750 / B. K. de Pascual. - Queen Marìa Barbara's Florentine Keyboard Instruments / J. H. Van Der Meer. - Some Remarks on the Terminology Problem / E. Badura-Skoda, - Once more: Scipione Maffei and the Pianoforte / D. Krickeberg. - Die Hammerflügel Gottfried Silbermanns / M. C. Schmidt. Vol. III. Free Papers 1. T Adresse : Torino : EDT, cop. 1990 Permalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=2815 Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 8975 JL COL 6 papier Bibliothèque du CMBV Consultable sur place Consultable sur place
DisponibleTwo Spiritual Monodies / Giovanni Girolamo KAPSPERGER
Titre : Two Spiritual Monodies : opus duodecimum, [pour soprano et théorbe] Type de document : PARTITIONS Auteurs : Giovanni Girolamo KAPSPERGER ; Margaret MURATA, Editeur scientifique ; David DOLATA, Editeur scientifique Editeur : Web Library of seventeenth-Century Music Année de publication : 2011 Oeuvres / Expressions : KAPSPERGER, G. G. - Monodies spirituelles Importance : 2 vol. (XV p. ; 6 p. ; 8 p.) Note générale : Source : Gio. Girolamo Kapsperger, Libro secondo d’arie a una e più voci (Rome: Luca Antonio Soldi, 1623; facsim. ed. Florence: Studio per Edizioni Scelte, 1980. Archivum Musicum 32).
Edition scientifique : Introduction générale suivi des partitions.Langues : Anglais (eng) Catégories : Mots-clés
chanson spirituelle
Lieux concernés
Italie
Période concernée
17e siècle
Effectif général
voix [1], théorbe [1]Note de contenu : - Dolcissimo Signore
- Voi che dietro a fallaci e cieche scortePermalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=18101 Two Spiritual Monodies : opus duodecimum, [pour soprano et théorbe] [PARTITIONS] / Giovanni Girolamo KAPSPERGER ; Margaret MURATA, Editeur scientifique ; David DOLATA, Editeur scientifique . - Web Library of seventeenth-Century Music, 2011 . - 2 vol. (XV p. ; 6 p. ; 8 p.).
Oeuvre : KAPSPERGER, G. G. - Monodies spirituelles
Source : Gio. Girolamo Kapsperger, Libro secondo d’arie a una e più voci (Rome: Luca Antonio Soldi, 1623; facsim. ed. Florence: Studio per Edizioni Scelte, 1980. Archivum Musicum 32).
Edition scientifique : Introduction générale suivi des partitions.
Langues : Anglais (eng)
Catégories : Mots-clés
chanson spirituelle
Lieux concernés
Italie
Période concernée
17e siècle
Effectif général
voix [1], théorbe [1]Note de contenu : - Dolcissimo Signore
- Voi che dietro a fallaci e cieche scortePermalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=18101 Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité PMB2903 NUM KAPS 01 archives numériques Bibliothèque du CMBV Espace Numérique Consultable sur place
DisponibleWhy the First Opera Given in Paris Wasn't Roman / Margaret MURATA
Titre : Why the First Opera Given in Paris Wasn't Roman Type de document : TEXTES Auteurs : Margaret MURATA Note générale : In : Cambridge Opera Journal, Vol. 7, No. 2 (Jul., 1995), pp. 87-105 Langues : Anglais (eng) Catégories : Mots-clés
opéra italien
Personnes concernées
MAZARIN, JulesRésumé : The first generation of Italian operas were all court, that is private, entertainments, whether produced in Florence, Mantua, Rome or Turin. In mid-December, d'Estrees presents the first opera that could be called French, though its production team and performers are local Romans. Opera made its way to Paris only in 1645, where, after acquiring a French text and French dancing and singing, it became one of the glories of the royal court. Both the idea of a mobile professional force and seigneurial patronage emerge as necessary causes of the first opera given before the court in Paris. Mazarin's rapid and intense political advancement encompasses a period in which musical drama first flourished in Rome. Mazarin left Rome permanently in December 1639, but he continued to receive letters from Castelli about the operas being done in Rome. After 1640, Mazarin still seemed to be looking towards Rome, but without success. Castelli kept him informed of the Carnival events. Permalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=17748 Why the First Opera Given in Paris Wasn't Roman [TEXTES] / Margaret MURATA . - [s.d.].
In : Cambridge Opera Journal, Vol. 7, No. 2 (Jul., 1995), pp. 87-105
Langues : Anglais (eng)
Catégories : Mots-clés
opéra italien
Personnes concernées
MAZARIN, JulesRésumé : The first generation of Italian operas were all court, that is private, entertainments, whether produced in Florence, Mantua, Rome or Turin. In mid-December, d'Estrees presents the first opera that could be called French, though its production team and performers are local Romans. Opera made its way to Paris only in 1645, where, after acquiring a French text and French dancing and singing, it became one of the glories of the royal court. Both the idea of a mobile professional force and seigneurial patronage emerge as necessary causes of the first opera given before the court in Paris. Mazarin's rapid and intense political advancement encompasses a period in which musical drama first flourished in Rome. Mazarin left Rome permanently in December 1639, but he continued to receive letters from Castelli about the operas being done in Rome. After 1640, Mazarin still seemed to be looking towards Rome, but without success. Castelli kept him informed of the Carnival events. Permalink : https://bibliotheque.cmbv.fr/index.php?lvl=notice_display&id=17748 Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité PMB2575 NUM TP MURA 01 archives numériques Bibliothèque du CMBV Espace Numérique Consultable sur place
Disponible